Bengal Mango Mela & Handloom Handicraft Expo 2025 : A Walk Through Bengal’s Soul at Janpath – Mangoes, Weaves & Warmth
Ever since I received the invitation to the Mango Mela being organised by the Government of West Bengal I was excited. Who does not want to experience the specialities of any state and that too from the culturally rich Bengal in the comfort of a place near your own home? Yet I never imagined that visiting the Bengal Mango Mela and Handloom Handicrafts Expo would be stepping in a place where my senses came alive with flavours and colours.
As I stepped into Handloom Haat, Janpath, a soft breeze carried with it the scent of ripe mangoes along with the rustle of cotton and silk fabric. It was as if a slice of Bengal had been gently transplanted into the heart of Delhi and I had just walked right into it.
This wasn't just an exhibition, it was a journey through time, taste, and tradition.
The handloom and handicrafts stalls spread over two floors jostled for attention with their colourful display of Tangail or Jamdani weavers displaying their beautiful collection.
Nearby hung Balu Chori sarees, soft yet structured, perfect for summer evenings. The Kantha embroidered dupattas and blouses told tales stitched over hours, days sometimes months. Every thread was a narrative.
I touched soft Kolkata cottons, flipped through stacks of stoles, admired the bold red-and-black patterns on handwoven blouses. There were bags, pouches, bamboo fans and wooden cutlery.
The earthy Patta Chitra scrolls, whispered Bengal’s stories in lines and colours. As I looked at them with admiration an artist sang the story painted on the scroll in his beautiful voice, praying to Durga Ma seeking her blessings.
As we moved ahead I was drawn by the aromas of food in the air. I followed my nose to the food court a wonderland of flavours. Being vegetarian I settled with Luchi with Alur Dom and Raw banana cutlets but the non- vegetarian counters buzzed with Shorshe Ilish (mustard fish) and other delicacies. There was a stall selling Mango Sandesh, Mango Kheer and rosogollas with a mango twist. Tea of various flavours as well as pickles, chutneys and condiments were also available.
In a quieter corner, I found a display by Sundarini Organic, a collective of women from the Sundarbans, bringing organic dairy and produce directly to consumers.
I read about how their cows are fed with pesticide-free green fodder, how herbal medicine replaces antibiotics, and how the community works with pride. It wasn't just milk but an empowered livelihood. A QR code on the banner led to an app. "You can order online too".
The second floor had some more interesting stalls of clothes and artefacts. However the main attraction is the Mango Outlet on the second floor where I was greeted by towering crates of golden Malda mangoes Himsagar, Langra, Fazli, Laxmanbhog etc, all glowing like jewels. Farmers proudly spoke of their journey: how these mangoes travelled farm-to-market, grown organically in Bengal’s fertile soil.
Tasting one slice felt like biting into Bengal’s summer sun, juicy, sweet, and deeply satisfying. And one doesn’t have to worry about the heat since the exhibition is spread out on two floors in the air-conditioned premise of Handloom House.
Kudos to the Resident Commissioner of West Bengal, IAS Ujjani Datta Madam for beautifully converging efforts across departments especially the Horticulture Department to bring the best of Bengal to Delhi. The freshest varieties of Malda mangoes, curated with care, and a stunning showcase of handicrafts, handlooms, and folk art stand as a tribute to Bengal’s rich heritage. As I walked out, hands full of mangoes and heart full with stories, I couldn’t help but smile.
This expo is not just an event; it is a heartfelt support system for weavers, artisans, self-help groups, and cooperatives, empowering local communities while delighting urban hearts and a celebration of craft and courage.
I heard that on 6th July there would be evening performances of tribal dances from Purulia, vocal recitals by children, and the beloved folk band DOHAR. I have made a mental note to return.
If you’re in Delhi before 8th July, don’t miss this immersive experience. It’s not just about mangoes or sarees it’s about Bengal’s beating heart, laid bare in colour, warmth, and soul.
R. Vimala, IAS,
Resident Commissioner,
Compassionate Civil Servant and PhD Scholar at IIT Bombay
Thursday, 3 July 2025
Monday, 30 June 2025
Sujata Saunik: Maharashtra's First Lady Chief Secretary
Sujata Saunik: Maharashtra's First Lady Chief Secretary
Some leaders leave a mark through their power and others through their presence and action. Sujata Saunik, the first woman Chief Secretary of Maharashtra, is among those rare leaders who has done both with unmatched grace, intellect, and heart. Her retirement from active service does not just mark the end of a stellar career but reflects the great legacy she carries forward.
Sujata Madam’s career spans an entire spectrum of governance from grassroots to global. Her early years as the Chief Executive Officer, Zilla Parishad, followed by a powerful tenure as Collector of Jalgaon grounded her in the realities of public service.
She took this experience to the urban sector as Municipal Commissioner of Nashik, dealing with challenges of a growing city to balance development with citizen-focused service delivery.
Along with administrative brilliance Sujata Madam took interest in academics. As a Takemi Fellow she studied Public Administration, joining a global cohort of future leaders and changemakers.This sharpened her keen understanding of governance with international insights into public policy design, institutional reform and the importance of evidence-based decision-making.
This academic lens combined with her field experience made her a rare officer who could think like a policymaker, act like a reformer, and connect like a grassroots worker.
During her tenure with the National Disaster Management Cell, Government of India, Sujata Madam played a pivotal role in shaping India's early strategies on disaster risk reduction and preparedness.
Her work helped lay the foundation for a more proactive, structured national disaster management, which continues to save lives and guide action even today
Back in Maharashtra, her work in Health was marked by both vision and compassion, designing interventions for maternal health, child welfare, and gender equity that truly touched lives. Her international exposure, including work with WHO and UNICEF, strengthened her ability to balance global perspectives with local realities.
Her reformist zeal came alive as Additional Chief Secretary of the General Administration Department, where she led transformational initiatives in digital governance, administrative reforms, and institutional efficiency.
One of her landmark contributions has been in technology-enabled governance. As a believer in systems reform, Sujata Madam championed Maharashtra’s first e-Cabinet, transitioning decision-making processes from paper to digital. This was not just a technological upgrade, it was a shift towards transparency and accountability.
Her push for data-driven governance, real-time dashboards, and digital citizen service platforms placed Maharashtra at the forefront of administrative modernization
Perhaps another of her most defining legacies lies in her work as Additional Chief Secretary of the General Administration Department. She led a quiet but firm revolution ensuring that capable women officers were appointed as Collectors, CEOs, and Divisional Commissioners across the state.
The shift was so visible that many said with pride, “Vidarbha Durgamayi jhaali.” Sujata Madam didn’t just believe in empowerment she created systems that made it real. She didn’t just advocate empowerment she institutionalized it. In contrast she had to be patient for over one year for her own appointment as the first lady Chief Secretary of Maharashtra which shortened her term and cetainly deprived the state of her sagacity. Yet she continued to open doors for women and ensured they walked through them with confidence and purpose.
I had the privilege of serving as the Officer on Special Duty in the Chief Secretary’s Office. To observe her closely was to witness a masterclass in governance where nothing escaped her attention. Whether it was framing policy, planning a major government review, or managing an emergent situation her clarity of thought and attention to detail were impeccable.
Yet what set her apart most was her deeply human side. Amidst high-pressure meetings and critical decisions, she would make a call to gently remind her mother to take her medicines or talk to her son on the phone with great affection and a smile in the middle of a busy day.
Her leadership also extended beyond government roles. As President of the Indian Administrative Service Officers’ Wives Association (IASOWA), she was an active force and brought fresh energy, inclusion, and new ideas strengthening community ties. Whether it was supporting underprivileged children, organizing wellness programs, or undertaking donation drive she made sure that IASOWA became a vibrant, inclusive community.
Her career is a beacon for the future, a reminder that systems can be reformed with heart, that leadership can be inclusive, and that intellect shines brightest when rooted in humility.
Her official journey as Chief Secretary may have come to a close, but her influence is far from over. Whether she chooses a formal role in public policy, national leadership, global platforms or simply continues as a mentor and guide, one thing is certain: she will continue to lead, to inspire, and to illuminate paths for many.
Thank you, Sujata Madam for showing us that government service is not a just any job, but a calling. And that true leadership is not about position but about purpose.
R. Vimala, IAS,
Compassionate Bureaucrat & PhD Scholar at IIT, Bombay
.
Some leaders leave a mark through their power and others through their presence and action. Sujata Saunik, the first woman Chief Secretary of Maharashtra, is among those rare leaders who has done both with unmatched grace, intellect, and heart. Her retirement from active service does not just mark the end of a stellar career but reflects the great legacy she carries forward.
Sujata Madam’s career spans an entire spectrum of governance from grassroots to global. Her early years as the Chief Executive Officer, Zilla Parishad, followed by a powerful tenure as Collector of Jalgaon grounded her in the realities of public service.
She took this experience to the urban sector as Municipal Commissioner of Nashik, dealing with challenges of a growing city to balance development with citizen-focused service delivery.
Along with administrative brilliance Sujata Madam took interest in academics. As a Takemi Fellow she studied Public Administration, joining a global cohort of future leaders and changemakers.This sharpened her keen understanding of governance with international insights into public policy design, institutional reform and the importance of evidence-based decision-making.
This academic lens combined with her field experience made her a rare officer who could think like a policymaker, act like a reformer, and connect like a grassroots worker.
During her tenure with the National Disaster Management Cell, Government of India, Sujata Madam played a pivotal role in shaping India's early strategies on disaster risk reduction and preparedness.
Her work helped lay the foundation for a more proactive, structured national disaster management, which continues to save lives and guide action even today
Back in Maharashtra, her work in Health was marked by both vision and compassion, designing interventions for maternal health, child welfare, and gender equity that truly touched lives. Her international exposure, including work with WHO and UNICEF, strengthened her ability to balance global perspectives with local realities.
Her reformist zeal came alive as Additional Chief Secretary of the General Administration Department, where she led transformational initiatives in digital governance, administrative reforms, and institutional efficiency.
One of her landmark contributions has been in technology-enabled governance. As a believer in systems reform, Sujata Madam championed Maharashtra’s first e-Cabinet, transitioning decision-making processes from paper to digital. This was not just a technological upgrade, it was a shift towards transparency and accountability.
Her push for data-driven governance, real-time dashboards, and digital citizen service platforms placed Maharashtra at the forefront of administrative modernization
Perhaps another of her most defining legacies lies in her work as Additional Chief Secretary of the General Administration Department. She led a quiet but firm revolution ensuring that capable women officers were appointed as Collectors, CEOs, and Divisional Commissioners across the state.
The shift was so visible that many said with pride, “Vidarbha Durgamayi jhaali.” Sujata Madam didn’t just believe in empowerment she created systems that made it real. She didn’t just advocate empowerment she institutionalized it. In contrast she had to be patient for over one year for her own appointment as the first lady Chief Secretary of Maharashtra which shortened her term and cetainly deprived the state of her sagacity. Yet she continued to open doors for women and ensured they walked through them with confidence and purpose.
I had the privilege of serving as the Officer on Special Duty in the Chief Secretary’s Office. To observe her closely was to witness a masterclass in governance where nothing escaped her attention. Whether it was framing policy, planning a major government review, or managing an emergent situation her clarity of thought and attention to detail were impeccable.
Yet what set her apart most was her deeply human side. Amidst high-pressure meetings and critical decisions, she would make a call to gently remind her mother to take her medicines or talk to her son on the phone with great affection and a smile in the middle of a busy day.
Her leadership also extended beyond government roles. As President of the Indian Administrative Service Officers’ Wives Association (IASOWA), she was an active force and brought fresh energy, inclusion, and new ideas strengthening community ties. Whether it was supporting underprivileged children, organizing wellness programs, or undertaking donation drive she made sure that IASOWA became a vibrant, inclusive community.
Her career is a beacon for the future, a reminder that systems can be reformed with heart, that leadership can be inclusive, and that intellect shines brightest when rooted in humility.
Her official journey as Chief Secretary may have come to a close, but her influence is far from over. Whether she chooses a formal role in public policy, national leadership, global platforms or simply continues as a mentor and guide, one thing is certain: she will continue to lead, to inspire, and to illuminate paths for many.
Thank you, Sujata Madam for showing us that government service is not a just any job, but a calling. And that true leadership is not about position but about purpose.
R. Vimala, IAS,
Compassionate Bureaucrat & PhD Scholar at IIT, Bombay
.
Wednesday, 25 June 2025
Suchindram Temple : A Symphony in Stone
Suchindram Temple : A Symphony in Stone
Have you ever heard of stone columns that sing ? Or sculptures with ears so perfectly carved that you can pass a thin stick right through them? Hidden away in the southern tip of India, Suchindram Thanumalayan Temple in Tamil Nadu is one of those rare places where mythology, architecture and precision meet to leave you spellbound.
It was almost two decades ago, eighteen years to be exact, that I first visited Suchindram Temple. The absolute marvel had left an indelible mark on me even then. Now, being invited to a conference in nearby Kovalam in Kerala with Suchindram barely two hours away from our venue, I couldn't lose the opportunity to witness its grandeur once more.
We opted for a guide, knowing fully well that understanding the intricate sculptures on our own would be impossible. Our guide, a young enthusiast, truly brought the history to life.
He ushered us quickly toward the main sanctum, explaining it would close at 12:30 PM. Here we got darshan of the beautiful idol of Thanumalayan, (Thanu = Shiva, Mal = Vishnu, Ayan = Brahma), the presiding diety which symbolises the unity of divine forces in a single sanctum making Suchindram Temple unique. This inclusive spirit is reflected not just in philosophy, but in the very stones which have created the temple.
Our guide took to various shrines dedicated to other deities, including Lord Indra, who is believed to have worshipped here to be freed from a curse, Goddess Annapoorni, Nataraja, and Ganesha. His commentary gave life to the idols. He pointed out that the Navagrahas in the temple were particularly unique as they were carved onto the ceiling.
Each step in the ancient halls, reflected the ingenuity and devotion of the artisans who breathed life into these stones centuries ago. Beautiful carved corridors echoed the chants and footsteps of the great kings under whose reigns this temple was constructed as well as generations of pilgrims who would have witnessed it grandeur.
Stepping into the inner halls, we could see the truly magical architectural wonder, a set of musical pillars carved from single blocks of stone. The guide tapped them knowledgeably explaining the distinct musical notes as if the stone itself were the instruments. These sapta swara (seven-note) columns not only amazed me but made me ponder . Centuries ago, how did those artisans manage to craft stone into sound without modern tools? The concentration, the precision required for such a feat is unimaginable. It made me think about the lost knowledge and the incredible dedication of those sculptors.
These pillars are more than a marvel; they are a tribute to the temple’s cultural richness, where music, devotion, and engineering genius combine seamlessly. I felt a surge of pride seeing the sophisticated blend of art and science from the pages of history.
One of the most delightful details in the temple is the lifelike stone sculptures, especially the one with ears carved so finely that a stick can pass right through them. The guide spoke about the deeprooted philosophy behind it saying we should hold back the good we hear and push out all bad things we hear. This wasn’t just a visual wonder, it was a powerful testimony to the incredible precision of ancient Indian sculptors, whose skill transcended the limitations of time and technology. Every figure, every corner of the temple seemed to hold a secret — from intricate celestial dancers and Gods, to fierce guardians and quiet sages. each telling part of a much larger story. I imagined the hands that painstakingly carved these details, the immense focus, and the vision they possessed to create such masterpieces.
A towering 22-foot tall Hanuman statue, one of the tallest in India, carved from a single granite block was another marvel whose sheer scale and detail were breathtaking. A magnificent gopuram (entrance tower) rising to 134 feet, richly adorned with mythological scenes and deities. I felt dwarfed by its grandeur, yet uplifted by its beauty.
A Living Legacy
Suchindram isn't just a monument; it's a living, breathing center of devotion and culture. Our guide said that during the annual Car Festival, the streets come alive as thousands gather to pull the beautifully decorated temple chariot, amidst chants, music, and celebration. I could almost hear the echoes of past festivities, connecting me to a vibrant, unbroken lineage.
Though dynasties like the Cholas, Pandyas, and Nayaks have all left their mark on the temple, its soul remains untouched, vibrant and timeless. While our rich ancient history is sometimes overshadowed by the narratives of the Sultanate and Mughal dynasties, masterpieces like those at Suchindram perhaps give the Cholas and Pandyas their rightful place in history. Standing there, I felt a deep sense of validation and pride in the heritage that often goes unrecognized.
In a world racing ahead, Suchindram Temple offers a chance to pause and wonder — to marvel at human creativity, spiritual unity, and the silent stories carved in stone. It reminds us that beauty is not always in grandeur, but also the quiet mastery of a hand that tranaformed a stone and made it sing. This journey wasn't just a visit to a temple; it was an experience, a personal revelation of the enduring genius of our ancestors.
If you're planning a journey to Kanyakumari or southern Tamil Nadu, make sure Suchindram is on your list. You won't just visit a temple but also experience a marvel that will resonate with you long after you've left.
Have you ever heard of stone columns that sing ? Or sculptures with ears so perfectly carved that you can pass a thin stick right through them? Hidden away in the southern tip of India, Suchindram Thanumalayan Temple in Tamil Nadu is one of those rare places where mythology, architecture and precision meet to leave you spellbound.
It was almost two decades ago, eighteen years to be exact, that I first visited Suchindram Temple. The absolute marvel had left an indelible mark on me even then. Now, being invited to a conference in nearby Kovalam in Kerala with Suchindram barely two hours away from our venue, I couldn't lose the opportunity to witness its grandeur once more.
We opted for a guide, knowing fully well that understanding the intricate sculptures on our own would be impossible. Our guide, a young enthusiast, truly brought the history to life.
He ushered us quickly toward the main sanctum, explaining it would close at 12:30 PM. Here we got darshan of the beautiful idol of Thanumalayan, (Thanu = Shiva, Mal = Vishnu, Ayan = Brahma), the presiding diety which symbolises the unity of divine forces in a single sanctum making Suchindram Temple unique. This inclusive spirit is reflected not just in philosophy, but in the very stones which have created the temple.
Our guide took to various shrines dedicated to other deities, including Lord Indra, who is believed to have worshipped here to be freed from a curse, Goddess Annapoorni, Nataraja, and Ganesha. His commentary gave life to the idols. He pointed out that the Navagrahas in the temple were particularly unique as they were carved onto the ceiling.
Each step in the ancient halls, reflected the ingenuity and devotion of the artisans who breathed life into these stones centuries ago. Beautiful carved corridors echoed the chants and footsteps of the great kings under whose reigns this temple was constructed as well as generations of pilgrims who would have witnessed it grandeur.
Stepping into the inner halls, we could see the truly magical architectural wonder, a set of musical pillars carved from single blocks of stone. The guide tapped them knowledgeably explaining the distinct musical notes as if the stone itself were the instruments. These sapta swara (seven-note) columns not only amazed me but made me ponder . Centuries ago, how did those artisans manage to craft stone into sound without modern tools? The concentration, the precision required for such a feat is unimaginable. It made me think about the lost knowledge and the incredible dedication of those sculptors.
These pillars are more than a marvel; they are a tribute to the temple’s cultural richness, where music, devotion, and engineering genius combine seamlessly. I felt a surge of pride seeing the sophisticated blend of art and science from the pages of history.
One of the most delightful details in the temple is the lifelike stone sculptures, especially the one with ears carved so finely that a stick can pass right through them. The guide spoke about the deeprooted philosophy behind it saying we should hold back the good we hear and push out all bad things we hear. This wasn’t just a visual wonder, it was a powerful testimony to the incredible precision of ancient Indian sculptors, whose skill transcended the limitations of time and technology. Every figure, every corner of the temple seemed to hold a secret — from intricate celestial dancers and Gods, to fierce guardians and quiet sages. each telling part of a much larger story. I imagined the hands that painstakingly carved these details, the immense focus, and the vision they possessed to create such masterpieces.
A towering 22-foot tall Hanuman statue, one of the tallest in India, carved from a single granite block was another marvel whose sheer scale and detail were breathtaking. A magnificent gopuram (entrance tower) rising to 134 feet, richly adorned with mythological scenes and deities. I felt dwarfed by its grandeur, yet uplifted by its beauty.
A Living Legacy
Suchindram isn't just a monument; it's a living, breathing center of devotion and culture. Our guide said that during the annual Car Festival, the streets come alive as thousands gather to pull the beautifully decorated temple chariot, amidst chants, music, and celebration. I could almost hear the echoes of past festivities, connecting me to a vibrant, unbroken lineage.
Though dynasties like the Cholas, Pandyas, and Nayaks have all left their mark on the temple, its soul remains untouched, vibrant and timeless. While our rich ancient history is sometimes overshadowed by the narratives of the Sultanate and Mughal dynasties, masterpieces like those at Suchindram perhaps give the Cholas and Pandyas their rightful place in history. Standing there, I felt a deep sense of validation and pride in the heritage that often goes unrecognized.
In a world racing ahead, Suchindram Temple offers a chance to pause and wonder — to marvel at human creativity, spiritual unity, and the silent stories carved in stone. It reminds us that beauty is not always in grandeur, but also the quiet mastery of a hand that tranaformed a stone and made it sing. This journey wasn't just a visit to a temple; it was an experience, a personal revelation of the enduring genius of our ancestors.
If you're planning a journey to Kanyakumari or southern Tamil Nadu, make sure Suchindram is on your list. You won't just visit a temple but also experience a marvel that will resonate with you long after you've left.
R. Vimala, IAS,
Compassionate Bureaucrat and PhD Scholar at IIT Bombay.
Saturday, 14 June 2025
Father's Day...
Father's day....
Today is Father's Day. I am reminded of a very famous shloka from the Shantiparva of Mahabharata which reads as ,
"पिता स्वर्गः पिता धर्मः पिता परमकं तपः |
पितरि प्रीतिमापन्ने सर्वाः प्रीयन्ति देवताः ||२०||
My father is my heaven, my father is my dharma, he is the ultimate penance of my life. If he is happy, all deities are pleased!"
It has been my fortune to experience this shloka in my father. He was a man of principles, one who has learned to adapt himself to each and every situation he encountered in his life.
Backsliding from a life of comfort to abject penury due to losses in the family business, and then rising up to be a man of modest means, must not have been without challenges. Yet he consistently rose to the occasion with a balanced mind and mature adaptation. Furthermore, leading a healthy life, he set an example by abstaining from smoking and drinking, exercising regularly and maintaining his weight, while indulging in mentally stimulating activities like Sudoku and Crosswords.
His emphasis on being happy through relationships and more importantly the fact that money does not lead to happiness has been the greatest lesson. He taught us to see the best in people and lead a life of Dharma, which essentially encompassed the path of law, of righteousness, of duty, compassion, love and joy as the right way of living.
Father's day has not only given me but all others an opportunity to discern our existence to our father and mother. Keeping them happy is therefore our foremost duty.
In fact the Garuda Purana says,
पितॄन्नमस्ये निवसन्ति साक्षाद्ये देवलोकेऽथ महीतले वा ॥
तथान्तरिक्षे च सुरारिपूज्यास्ते वै प्रतीच्छन्तु मयोपनीतम् ॥ 89.27 ॥
पितॄन्नमस्ये परमार्थभूता ये वै विमाने निवसन्त्यमूर्त्ताः ॥
यजन्ति यानस्तमलैर्मनोभिर्योगीश्वराः क्लेशविमुक्तिहेतून् ॥ 89.28 ॥
पितॄन्नमस्ये दिवि ये च मूर्त्ताः स्वधाभुजः काम्यफलाभिसन्धौ||
प्रदानशक्ताः सकलेप्सितानां विमुक्तिदा येऽनभिसंहितेषु ॥ 89.29 ॥
"I bow before my father, in whom all the deities of all realms reside, truly he is my deity.
I bow before my father who resides in the formless guise of Paramartha, who is worshipped by blameless yogis for liberation from all conflict (of samsara).
I bow before my father, in whom I see all Gods and who fulfills all my aspirations. He is the inspiration for achievements, and he relieves me from all worries. I pay my obseisance to my revered father. "
If we close our eyes for a moment and ponder about all that our parents do for us since the time we are born, this shloka would become so relevant. Fathers stand by us as we roll, crawl, take our first baby step, walk, run, study, and grow up. They also help us to fire our imagination, set goals for ourselves and encourage us to achieve them. They are not daunted by our failures, in fact, their belief in us encourages us forever in all our endeavours. They guide us and mentor us or silently support us till we reach our goals.
As children I don't think any of us remember being worried about anything with our fathers around.
Depriving themselves of every little comfort, they ensure that our smallest needs are satisfied
As children we rarely doubt the propriety of our father. In fact we have full faith in his ability and strength to guide us. Things sometimes go amiss when we are blinded by the brightness and the glamour of youth. On such occasions it is very easy to forget our duty towards our father and overlook all that he has done.
Only somebody extraordinary like Maryada Purushottam Ram in Ramayana can express the thought :
" यतः मूलम् नरः पश्येत् प्रादुर्भावम् इह आत्मनः||
कथम् तस्मिन् न वर्तेत प्रत्यक्षे सति दैवते || २-१८-१६ meaning, " A man can see his father as the cause of his existence; why wouldn't he want to behave towards him as if his father were a visible God (pratyaksha devata)?"
Lord Ram is an example of that ethereally dutiful son which may perhaps be a bit too much to expect in modern times. However what stops us from doing little things that make our father and our parents happy?
For a country deep-rooted in the culture of " Matru-devo bhava, Pitru devo bhava, Acharya devo bhava, where our parents and our gurus, teachers, are our Gods , Father's Day can simply be a reminder of our glorious tradition. However let's not limit our love and respect for our father to this single day. Let this be a reminder of the dharma or duty towards our father to be practised everyday.....
Let everyday be father's day.....
Thursday, 5 June 2025
Tree, Pit and a Promise: My World Environment Day in Delhi
Tree, Pit and a Promise: My World Environment Day in Delhi
Today, June 5th, came with the special significance of being World Environment Day, a day to spread awareness about the environment and its conservation.
As someone currently posted in Delhi, I love the pockets of green beauty amidst the urban sprawl. The magnificent trees, some tall and old are a constant reminder of nature's grandeur.
My heart did get heavy recently when many trees fell in the recent thunderstorms at Delhi. It was a stark reminder of our planet's fragility, the immense power of nature, and also of our responsibility.
We have learnt since our school days that planting trees is the best way to preserve the environment. Government and countless environmentalists advocate it as a good idea and a way to preserve the air we breathe and the world where we live.
It was therefore a delight and honour today when I had the opportunity to plant trees along with the Hon'ble Minister of State for Cooperation and Civil Aviation, Mr. Muralidhar Mohol, and the Hon'ble Member of Parliament, Shri. Ravindra Waikar, at New Maharashtra Sadan.
This was not a routine act of putting saplings in the earth but an act of hope, a small but significant step towards a greener future. The energy was infectious as all our team members felt that contributing in this way to the environment apart from avoiding single use plastic is meaningful.
Speaking of Maharashtra Sadans, both the old and new are green havens with plants, trees and lawns. They are a testament to the beauty that can be created in the heart of a bustling city.
Of course there are some challenges in managing the greenery and the place. Trees shed their leaves and the canteens serving delicious meals, generate a huge amount of kitchen waste which is difficult to manage. Disposing this substantial amount of waste responsibly has always been a task. We decided to tackle the problem in a little way by creating a compost pit in Old Maharashtra Sadan to collect all such waste and convert it into manure. As we commenced the project, the satisfaction of contributing this "little bit" to the environment by turning what was once a "dump" into a resource felt immense. Watching that first bit of organic matter go into the pit, knowing it will transform into nutrient-rich compost, was incredibly gratifying.
Today, June 5th, came with the special significance of being World Environment Day, a day to spread awareness about the environment and its conservation.
As someone currently posted in Delhi, I love the pockets of green beauty amidst the urban sprawl. The magnificent trees, some tall and old are a constant reminder of nature's grandeur.
My heart did get heavy recently when many trees fell in the recent thunderstorms at Delhi. It was a stark reminder of our planet's fragility, the immense power of nature, and also of our responsibility.
We have learnt since our school days that planting trees is the best way to preserve the environment. Government and countless environmentalists advocate it as a good idea and a way to preserve the air we breathe and the world where we live.
It was therefore a delight and honour today when I had the opportunity to plant trees along with the Hon'ble Minister of State for Cooperation and Civil Aviation, Mr. Muralidhar Mohol, and the Hon'ble Member of Parliament, Shri. Ravindra Waikar, at New Maharashtra Sadan.
This was not a routine act of putting saplings in the earth but an act of hope, a small but significant step towards a greener future. The energy was infectious as all our team members felt that contributing in this way to the environment apart from avoiding single use plastic is meaningful.
Speaking of Maharashtra Sadans, both the old and new are green havens with plants, trees and lawns. They are a testament to the beauty that can be created in the heart of a bustling city.
Of course there are some challenges in managing the greenery and the place. Trees shed their leaves and the canteens serving delicious meals, generate a huge amount of kitchen waste which is difficult to manage. Disposing this substantial amount of waste responsibly has always been a task. We decided to tackle the problem in a little way by creating a compost pit in Old Maharashtra Sadan to collect all such waste and convert it into manure. As we commenced the project, the satisfaction of contributing this "little bit" to the environment by turning what was once a "dump" into a resource felt immense. Watching that first bit of organic matter go into the pit, knowing it will transform into nutrient-rich compost, was incredibly gratifying.
Today we reinforced a simple yet profound truth that environmental preservation isn't just about big gestures, it's about consistent, thoughtful actions, big and small, that contribute to real change.
From planting a single tree to creating a compost pit and avoiding single use plastic, each step contributes to the well-being of our planet.
From planting a single tree to creating a compost pit and avoiding single use plastic, each step contributes to the well-being of our planet.
As I reflected on this World Environment Day, I feel a renewed sense of purpose and gratitude for the opportunity to be a part of these efforts. Let’s all do our part, however small, to nurture our planet.
R. Vimala, IAS,
Compassionate Civil Servant &
PhD Scholar at IIT Bombay
Thursday, 29 May 2025
A Morning Steeped in History: Visualising Greatness in the Legacy of Veer Savarkar
A Morning Steeped in History: Visualising Greatness in the Legacy of Veer Savarkar
Our Manager read his brief biography and as we listened to it the sheer enormity of Veer Savarkar's being, his successes, his tribulations, his intellectual fire opened out before my eyes and I could see his grandeur and greatness.
Veer Savarkar's life was essentially based on his relentless loyalty to Bharat, our motherland. This was not a passive attitude rather, it was the motivation behind his creation of foundational works like "The Indian War of Independence, 1857." Based on his thorough investigation, the 1857 rebellion was not a simple "sepoy mutiny," as the British dismissed it. Rather it was India's first war of Independence, a significant liberation movement, therefore inspiring a fresh sense of pride and a strong awareness of our historic past.
His ability to unite people with a nationalist spirit has been phenomenal. Founding the Abhinav Bharat Society in early days in London, he established a venue for radical ideas and action. He saw the might of a united people, a country waking to its natural strength and direction. His aim was for a nation aware of its cultural and civilisational identity, a Rashtra.
One cannot recall Veer Savarkar without acknowledging his great bravery during the two terrifying periods of captivity. Designed to crush the spirit of the most powerful, the Cellular Jail in the Andaman and Nicobar Islands was known as the terrible 'Kala Pani.' Still, it was inside those enormous walls where Savarkar's fortitude was most brilliant. Denied pen and paper in prison, he penned his nationalism on the prison walls using thorns and pebbles. There he created some of his most poignant pieces. His epic poem, "Kamala," is evidence of his unshakeable determination and literary genius blooming even in the worst of gloom. The very lines of his heartbreaking plea in Marathi, "ने मजसी ने परत मातृभूमीला, सागरा प्राण तळमळला" (Ne majasi ne parat matrubhoomila, saagara praan talmalala - Oh ocean, take me back to my motherland, for my soul yearns for her!), sung with a deep longing by countless Maharashtrians, presents that profound ache of separation and his undying love for Bharat. Born from the depths of his agony, this song still arouses strong feelings of patriotism. Savarkar's literary ability was a great weapon, beyond his activism and superhuman endurance.
His intellectual output was rather diverse. In "Hindutva: Who is a Hindu?" he presented a politico-cultural perspective describing Hindutva as anchored in a shared territory, ethnicity, culture, and civilisation. Though powerful, this piece reflects the intricacy of his thoughts and has been hotly debated. Always meant to awaken national consciousness, his poems, articles, and plays were incisive, perceptive, and inspirationally provocative. When I look back at his life and his strong bond to our country, like him, I have no doubt in believing that Bharat is the land of Hindus in a geographical, civilisational and cultural sense. Hinduism seems to me as a great, ancient banyan tree, Vatavriksha. Its great antiquity and power are shown by its spreading branches and deep roots; nonetheless, its special quality is its capacity to foster and give life to its always developing roots. Over millennia, it has welcomed and given other religions and ideas, rich footing to grow beneath its large, tolerant canopy. Every one of them has enhanced the richness of the ground without reducing the parent tree. Maybe as I pondered today, our definition of tolerance has really been a virtue widely misinterpreted. True, strong tolerance is neither about weakening one's own individuality or the others nor about compromising the basic beliefs in the sake of a surface agreement.
From the same basic core of our common history, it is about the confident, compassionate power of the banyan tree, safe in its own roots, yet spacious enough to allow other lives to flourish alongside it. Reviewing Veer Savarkar's history with an eye towards the echoes of his strong words and the moving notes of "Ne Majesi Ne," was more than just a historical remembrance. It was a trip inside the soul of a man living and breathing for Bharat.
These rituals of memory or Jayantis and Punyatithis are essential; they enable us to relate to the giants who shaped the course of our country, grasp the depth of their sacrifice, the power of their intellect, and the constant flame of their patriotism. Veer Savarkar's brilliance felt today not like a far-off historical truth but rather a live, tangible presence.
R. Vimala, IAS,
Compassionate Civil Servant &
PhD Scholar at IIT Bombay
Sunday, 25 May 2025
Padma Vibhushan Jayant Narlikar's World Through Discovery of Cosmos
Padma Vibhushan Jayant Narlikar's World Through Discovery of Cosmos
My interest in science has always been strong, despite the fact that I was a Humanities student studying History at the University of Pune. As post graduate students we were required to select an elective subject, and I decided to take a subject that focused on the history and philosophy of science and technology.
We were introduced to a variety of aspects of science and technology by our professor, Dr. Rekha Ranade, who is a knowledgeable scholar in the field of history and also has a background in science. A few of these activities included reading a variety of books or going to locations of interest that were related to our topic. She is among those who are aware of the fact that art and science can coexist in a beautiful harmony, so she drove us towards this exploration.
On the occasion of the establishment of the Inter-University Centre for Astronomy and Astrophysics (IUCAA), she accompanied us on a trip to the department.
My interest in science has always been strong, despite the fact that I was a Humanities student studying History at the University of Pune. As post graduate students we were required to select an elective subject, and I decided to take a subject that focused on the history and philosophy of science and technology.
We were introduced to a variety of aspects of science and technology by our professor, Dr. Rekha Ranade, who is a knowledgeable scholar in the field of history and also has a background in science. A few of these activities included reading a variety of books or going to locations of interest that were related to our topic. She is among those who are aware of the fact that art and science can coexist in a beautiful harmony, so she drove us towards this exploration.
On the occasion of the establishment of the Inter-University Centre for Astronomy and Astrophysics (IUCAA), she accompanied us on a trip to the department.
To begin, the tranquility of the campus was what initially drew me to that part of our campus. As we continued our conversation, I was increasingly fascinated by the field of astrophysics and Dr.Jayant Narlikar's work. He started his independent career in India at the Tata Institute of Fundamental Research (TIFR) going on to establish IUCAA at Pune.
In the past, to me, science has appeared to be nothing more than complicated formulae, diagrams and logic. Her explanation of Dr. Narlikar's work and personality introduced me to a new facet of science, one that is brimming with imagination, intellectual honesty, and a profound feeling of awe. In addition to being a pioneer in the field of cosmology and a well-known astrophysicist, Dr. Narlikar was also a collaborator of Sir Fred Hoyle. He was not only able to explain the universe but also make you experience it. In addition to his contributions to the scientific community, and scientific temper, he was characterized by a spirit of questioning, of challenging orthodoxy, and of bridging the gap between the known and the unknown. His kind disposition, the humility with which he carried his towering mind, and his unique devotion for reading were probably even more striking than his towering intellect when it came to writing.
In the past, to me, science has appeared to be nothing more than complicated formulae, diagrams and logic. Her explanation of Dr. Narlikar's work and personality introduced me to a new facet of science, one that is brimming with imagination, intellectual honesty, and a profound feeling of awe. In addition to being a pioneer in the field of cosmology and a well-known astrophysicist, Dr. Narlikar was also a collaborator of Sir Fred Hoyle. He was not only able to explain the universe but also make you experience it. In addition to his contributions to the scientific community, and scientific temper, he was characterized by a spirit of questioning, of challenging orthodoxy, and of bridging the gap between the known and the unknown. His kind disposition, the humility with which he carried his towering mind, and his unique devotion for reading were probably even more striking than his towering intellect when it came to writing.
A man who demonstrated that it was possible to pursue the stars in the cosmos yet maintain a connection to poetry on earth was shown here. That science and the arts did not have to be separated from one another or in reality, scientists and artists can collaborate was something he demonstrated with ease.
Dr. Narlikar had said that "Science is a way of thinking much more than it is a body of knowledge." There is no doubt that his life exemplified this idea. Not only was he a pioneering physicist, but he was also a talented writer who was able to convey complicated concepts to the general audience in a manner that was both graceful and clear. His many books include, The Lighter Side of Gravity, which is an exploration of physics with humor and ease, Scientific Edge, which is a highlight of India's scientific minds; The Structure of the Universe, which is a deep dive into cosmology; Seven Wonders of the Universe, which is a journey for young readers; It Happened Tomorrow, which is a collection of science fiction stories with an Indian touch; A Cosmic Adventure is where science and storytelling are brought together for people of all ages. Apart from this, he also played a major role in the writing physics textbooks of the National Council for Educational Research and Training (NCERT).
No wonder he received the Padma Bhushan at a very young age followed by the Padma Vibhushan combined with a literary award from the Sahitya Akademi. He was also honoured with the Maharashtra Bhushan Award by the State of Maharashtra.
I was a student of history with a passing interest in science. I couldn't have suddenly understood black holes or cosmic background radiation in one day's visit to IUCAA but I certainly walked out of the room with a tremendous appreciation for it; rather, I saw the heart underlying the body of scientific knowledge.
Today, when I think about Dr. Narlikar, he is more than simply a name in the field of Indian astrophysics, he became a representation of what it means to be a genuine seeker. A conscious, kind, and brave scientist who inspired generations of physics and mathematics students in India, especially in the field of astrophysics.
Furthermore, Dr. Rekha had mentioned that Dr. Narlikar's passion for history and science was the driving force behind his decision to bring a branch of the apple tree under which Newton sat and plant it in the IUCAA campus. I had been speechless when I saw that piece of history and science together. It is possible that the branch of the apple tree that he planted may not have survived, but his legacy will not only survive but continue to shine brightly like the stars, the moon, and the cosmos which were a part of his universe.
Dr. Narlikar had said that "Science is a way of thinking much more than it is a body of knowledge." There is no doubt that his life exemplified this idea. Not only was he a pioneering physicist, but he was also a talented writer who was able to convey complicated concepts to the general audience in a manner that was both graceful and clear. His many books include, The Lighter Side of Gravity, which is an exploration of physics with humor and ease, Scientific Edge, which is a highlight of India's scientific minds; The Structure of the Universe, which is a deep dive into cosmology; Seven Wonders of the Universe, which is a journey for young readers; It Happened Tomorrow, which is a collection of science fiction stories with an Indian touch; A Cosmic Adventure is where science and storytelling are brought together for people of all ages. Apart from this, he also played a major role in the writing physics textbooks of the National Council for Educational Research and Training (NCERT).
No wonder he received the Padma Bhushan at a very young age followed by the Padma Vibhushan combined with a literary award from the Sahitya Akademi. He was also honoured with the Maharashtra Bhushan Award by the State of Maharashtra.
I was a student of history with a passing interest in science. I couldn't have suddenly understood black holes or cosmic background radiation in one day's visit to IUCAA but I certainly walked out of the room with a tremendous appreciation for it; rather, I saw the heart underlying the body of scientific knowledge.
Today, when I think about Dr. Narlikar, he is more than simply a name in the field of Indian astrophysics, he became a representation of what it means to be a genuine seeker. A conscious, kind, and brave scientist who inspired generations of physics and mathematics students in India, especially in the field of astrophysics.
Furthermore, Dr. Rekha had mentioned that Dr. Narlikar's passion for history and science was the driving force behind his decision to bring a branch of the apple tree under which Newton sat and plant it in the IUCAA campus. I had been speechless when I saw that piece of history and science together. It is possible that the branch of the apple tree that he planted may not have survived, but his legacy will not only survive but continue to shine brightly like the stars, the moon, and the cosmos which were a part of his universe.
R. Vimala, IAS,
Compassionate Civil Servant & PhD Scholar at IIT Bombay
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